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In his horror films and television shows, Mike Flanagan has adapted the work of authors ranging from Shirley Jackson to Henry James to Stephen King. His new original Netflix show also has literary inspiration and is not just any book.
It’s the good book.
Bible scriptures and beliefs share screen time with man and monster alike in “Midnight Mass” (streaming now), a limited seven-episode series set for Halloween, and the latest creepy creation of Flanagan who appears alongside “The Haunting of Hill House” and “The Haunting of Bly Manor.”
This exploration of religion and addiction “has always been particularly special to me because it has been so intertwined with my life and childhood,” Flanagan says.
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“Mass” focuses on the small community of Crockett Island, where Riley Flynn (Zach Gilford) returns home to a dishonored black sheep. Raised as a believer, Riley derailed his life in a drunken driving accident that killed a young woman, an incident that sent him to prison for four years and also took away his faith.
Riley reconnects with her pregnant childhood sweetheart, Erin (Kate Siegel), another outcast among the locals. Riley’s return also coincides with the arrival of a mysterious and captivating new priest, Father Paul (Hamish Linklater). Masses are poorly attended, but after a myriad of supernatural examples, a religious resurgence ensues and Riley, Erin, Sheriff Hassan (Rahul Kohli) and others investigate the darkness that seems to surround the island.
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The concept of “mass” was born out of Flanagan’s experience as a Catholic altarpiece struck by “the transubstantiation of bread and wine into the body and blood of Jesus,” he says. “We were told that we ate meat and drank blood to achieve eternal life.” And when he was a child fascinated by horror, “I always felt that the sinking of hands between these two concepts was so clear.”
Ultimately, “Mass” became “a really wonderful opportunity for me to talk about things that are very important to me: sobriety and faith and the corrupting influence of fundamentalism on belief systems,” he says. Flanagan, who has struggled with alcoholism in his lifetime and is now three years sober.
With Riley tormented every night by the creepy specter of life he took, Flanagan designed a man who represented forgiveness even though he has done something that some might find unforgivable. It also symbolizes the deepest fear Flanagan ever had about his own drink, that instead of getting drunk and dying in an accident, “he would kill someone else and live and have to reconcile,” he says.
Gilford could relate to Riley’s new atheism: servant and Jewish servant, Gilford remembers thinking, “You guys believe all this ?!” when he was 7 years old in the synagogue. “He was a very faith-motivated person and then he had a traumatic experience that was his fault,” Gilford says of his character. “And that made him question everything because, if I think all these things are true, why would that happen?”
Father Paul, who tries to relate to the reluctant Riley and even creates a local AA group for him, was designed to be a parallel to Gilford’s character. “He wants to bring miracles, health and kindness, and then his motives are revealed to be very, very personal and charming,” Flanagan says. own “.
Father Paul tells Riley that “the only person who does not forgive you the sins of your past or those of your present is you,” but “he is talking to himself at the same time,” says Linklater, the mother of the which was agnostic, but his grandmother “stole my mother from me when I was little and had me secretly baptized in the Episcopalian church.”
The third member of the show’s main trinity, Erin, became the voice of moderatism that quietly championed “the welcoming, forgiving, judgmentless, and loving ideas of Christianity,” Flanagan says.
When Riley returns, Erin lives “a moment to make others. She is able to give him the warmth they denied him in the city,” says Siegel, who wanted his role “to be a human being who makes mistakes and still it does”. the best possible and represent the opposite of the deities and angels and priests and the religious routine of the Mass. “
Flanagan always loved the parables of the Bible, the stories they wanted to tell you “to help you learn to live your life in a certain way, to teach you something about what it means to be alive, and hopefully , encouraging them to live with more forgiveness and kindness. ” And in creating his own version, Flanagan cleverly echoed the structure of the volume with his seven chapters of “Midnight Mass.”
“You have your first act, your Genesis; your psalms, your points where everything is ready and where the characters are at their best; you have Lamentations, the moment you drag the characters and drag them all to bring a new pact, ”explains Flanagan. “As a parable, it seemed like a great opportunity for me to go back and make it as biblical as possible.”
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Source: https://www.usatoday.com/story/entertainment/tv/2021/09/24/midnight-mass-new-netflix-horror-series-tackles-religion-addiction/5823735001/
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